|
|||||||
|
|||||||
|
|
|
|
|
|||||||||||||||||
|
|
|
|
|
gallery |
installation shots |
|
|||||||||||||||||
|
|
|
|
|
information |
|||||||||||||||||
| statement | |||||||||||||||||||||
|
Lucy White’s uniquely fashioned
Band-Aid paintings deftly tackle the iconography in everyday objects
– in part, by using everyday objects to create them. They are
poignant and provocative, yet are often so distilled that they
appear deceptively simple. In her work, common objects such as cell
phones and panties become iconic and traditionally iconic images
(flags, churches, peace symbols) are juxtaposed with an underlying
Band-Aid treatment. Even guns, integral objects to the history of
America, are interwoven and cross-pollinated to conjure images of
sexuality, violence and humor. |
|||||||||||||||||||||
|
|
 |
|
|
||||||||||||||||||
|
|
|
|
|
||||||||||||||||||
|
|
|
|
|
||||||||||||||||||
|
|
|
|
|||||||||||||||||||
|
|||||||||||||||||||||
