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The Boston Globe | ||||||||||||||||
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In
her newest series, Believe You Me, Karin Stack uses fabrics, felt,
plastic figures, model trees, wood, and other consumable and throw
away items to build sets and models of sea and landscapes. She then
photographs them with reference to the Romantic Landscape tradition,
tourist photography and conventions of communicating the sublime in
the landscape. She explores white space, color and static in the
composition. She communicates both humor and awe to the viewer and
questions the lines between what is real and what is not. The
result creates a psychologically complex, idiosyncratic interior
landscape. Her mysterious and occasionally emotional but simple
little arrangements provoke some complex ideas. |
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