|
|||||||
|
|||||||
|
|
|
|
|
|||||||||||||||||
|
|
|
|
|
gallery |
press: |
|
|||||||||||||||||
|
|
|
|
|
information |
South End News | ||||||||||||||||
|
resume |
|||||||||||||||||||||
| The Boston Globe | |||||||||||||||||||||
|
As a student in
the late 1960’s, during the raging of Vietnam War, Rubenstein’s
social consciousness was triggered. Her desire for peace found
expression, eventually through the medium of photography.
Rubenstein mixes mediums and metaphors to create art about our
tenuous connection to place. She combines disparate materials such
as earthy palladium prints with cold steel mounts, transparent
photographic imagery with imagery sandblasted into glass, video
imagery projected onto cast glass, and digital still imagery on
floating vellum and hand-coated tree bark papers. In 2000, Meridel was invited to be the Harnish Visiting Artist at Smith College in Northampton, Massachusetts. She has received support for her work from the National Endowment for the Arts, the Guggenheim Foundation, the Pollack Krasner Foundation, the Bunting Institute at Harvard/Radcliffe, and the Rockefeller and Reed Foundations. She maintains studios in VT and New Mexico. |
|||||||||||||||||||||
|
|
 |
|
|
||||||||||||||||||
|
|
|
|
|
||||||||||||||||||
|
|
|
|
|
||||||||||||||||||
|
|
|
|
|||||||||||||||||||
|
|||||||||||||||||||||
